Faster Than Sound: Captain Quackenbush’s and Outer Heaven Disco Club Make COVID-Delayed Debuts

New musical hubs launch in former Strange Brew and Dozen Street spaces


Alexalone at Captain Quackenbush's Coffeehouse (Photo by Rachel Rascoe)

On Saturday evening, Alex Peterson of Alexalone's blaring guitar work proved Captain Quackenbush's Coffeehouse won't be limited to java shop strummers. The newly signed Polyvinyl Records act, including Sam Jordan, Mari Rubio, and new Austin resident Hannah Read of Lomelda onstage, offered an improvised 45-minute post-rock immersion in the new listening room. The space opened earlier this month in the former home of celebrated South Austin venue Strange Brew, which closed in 2017 due to bankruptcy.

"It's totally revamped, and we've been working on it for a few years now," says Hikes' singer/guitarist Nay Wilkins, events coordinator of the new venue after years behind the counter at Quack's 43rd Street Bakery. "Right before the pandemic hit, we had one show, and then closed. We're trying to set everything up so if you want to have a show in Austin where people aren't actively trying to talk louder than you're playing, here's a good space for that."

After Alexalone, Keeled Scales folk player Twain showed off the turquoise space's capacity for close listening to a silent sold-out crowd. Soloist Mat Davidson contrasted a recent Downtown outing: "It was really intense. This is a lot more manageable."

Running sound, Estuary Recording engineer Evan Kaspar helped build out acoustics in the seated, 100-cap room. Wilkins says the bar and venue, separated from the bake shop by glass doors, will eventually rebrand as Soundspace with nightly bookings. Saturday concluded with a screening of a new short from co-presenting YouTube series Some of That, Please, Little Mazarn performing Daniel Johnston's "The Story of an Artist" in a field of tall grass.

Upcoming shows include Club Staccato with special guests Barbara Nesbitt and Wendy Colonna tonight, Thursday, at 7pm, and Little Mazarn and Calliope Musicals front person Carrie Fussell on Friday, 9pm. Both bookings prove emblematic of Wilkins' scene-merging efforts. Utilizing contacts from Texas Tornados drummer Ernie Durawa, they went about "trust building" by getting coffee with dozens of Strange Brew veterans before opening up.

"The room's legendary, so that was nerve-racking to step into," admits Wilkins. "Being a young, queer, and nonbinary person, I don't like to feel like I'm intruding. I just want everyone to be comfortable in the space."


Photo by Sean Daigle

Inviting Chaos at Outer Heaven Disco Club

In January 2020, Dozen Street owner Maydee Distefano shuttered her East 12th venue, hoping to find a like-minded inheritor for the legacy space, which formerly housed Club 1808. She matched with local artist Sean Daigle, who took over the lease intending "a bar that's like if Willy Wonka smoked crack at Studio 54." Early May thus debuted Outer Heaven Disco Club.

"When COVID happened, all [my plans] went out the window," says the owner, also a photographer with credits like Rolling Stone. "I was paying rent to work myself to death renovating the whole place ourselves. Then I had negative $350 in the bank, and I was like, 'I have to open up. There's no other way I can pay rent.'"

Daigle and bar manager Chauncy James, formerly of East Side Show Room and Garage Cocktail Bar, spent the year transforming the Eastside oddity, which now houses a dance floor, large back patio, and dildo vending machine. After a slow start, the owner made an impassioned post on the Austin Reddit page attracting thousands of likes. Some readers recognized Daigle from his former Travis Heights front yard featuring self-made Simpsons and King of the Hill cutouts – handiwork now seen in Outer Heaven's murals.

Last Saturday at midnight, the at-capacity bar attracted a line down the block of glittery twentysomethings in neon cowboy hats. In the DJ booth, Daigle focused on hits from ABBA, Justice, and Talking Heads. The dance club currently functions Fridays and Saturdays with karaoke Wednesdays and Thursdays.

"I don't want pretentiousness," he says. "I don't want people to come in and feel like they're not cool enough to be there, which is what a lot of dance bars try to do. It should feel like a house party – inviting, chaotic, and kind of apocalyptic."


Waterloo Park's Moody Amphitheater (Courtesy of Waterloo Greenway Conservancy)

Other Venue News

Waterloo Park finally lands a reopening date after a decade of shutter and construction. Waterloo Greenway announced that the park will debut on Aug. 14 with a "Taste of Austin" showcase at the new Moody Amphitheater that evening, lineup TBA. The park's first concert in partnership with C3 Presents follows Aug. 20, with hometown hero Gary Clark Jr. breaking in the 5,000-seat concert venue. Read more on our Daily Chron Events blog.

Levitation returns to local venues Stubb's, Mohawk, Empire, Hotel Vegas, Cheer Up Charlies, and Central Presbyterian Church Oct. 28-31. The festival's comeback from a pandemic year off packs Thundercat, Japanese Breakfast, Yves Tumor, Black Midi, the Hives, Connan Mockasin, and Crumb alongside locals like fest founders the Black Angels, Sweet Spirit, and Portrayal of Guilt. A kickoff show leads Oct. 27 with Red Fang, Nothing, and Starcrawler at Empire. Four-day and single show tickets on sale now. Find the full daily lineup on our Daily Music blog.

Freq System, a roving electronic event concept, began a three-month stay in a Downtown warehouse in early June. The weekly parties center a massive sound system purchased from upstate New York. Contributing producer Plʉm posted: "They say that low bass frequencies can bend water and since our bodies are made of 60% H20 it makes it feel good to be in front of a system like this. I guess that's why they call it 'body music.'" Upcoming July 10, the speakers support Birmingham DJ Swap Meet!, Houston's Mister Sticktalk and Clyde, alongside local Nick McDonnough. Keep up on Instagram @freqsystem.


Brandon Hamilton (via Bandcamp)

RIP Brandon Hamilton

Brandon Hamilton, local musician known for a number of punk projects, died last Thursday, June 24. He was 42. After participation in Austin bands like Brain Attack and Dude Jams, the poignantly offbeat songwriter began recording solo in his garage studio as Prisoner. The playful amalgamation of scuzzy garage last landed a split 7-inch in April with Witchcake, still available through Dead Broke Records.

ADD Records' cheeky bio for 2013 Dude Jams release How to Become A Famous Recording Artist reads: "Sound man of the ages, and purveyor of free beers, Brandon Hamilton lets you in on his secrets on how to make it big in the industry. Baller status. Punk rock gods." Following the news, Iowa's Bloated Kat Records posted on Bandcamp a 19-song collection of tracks by the artist's former pop-punk outlet Prince, with all proceeds going toward end-of-life expenses. The label called Hamilton a "musical and comedic genius," adding that "naming your band Prince takes a deep reservoir of humor and balls."

Local concert promoters Resound, who worked with the artist, shared on social media: "Brandon Hamilton was a behind-the-scenes magician who helped make so many of our dreams reality. A fiercely loyal friend who impacted many more than he'll ever know."

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KEYWORDS FOR THIS STORY

Captain Quackenbush's, Alex Peterson, Alexalone, Captain Quackenbush's Coffeehouse, Strange Brew, Hikes, Nay Wilkins, Soundspace, Ernie Durawa, Dozen Street, Maydee Distefano, Club 1808, Sean Daigle, Outer Heaven Disco Club, Chauncy James, Levitation 2021, Frequency System, Brandon Hamilton

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